Pirouette Translating the folds and creases of twisting and billowing fabric into the solid forms of seats and tables DT-5522
product description
Parti’s Fabric-Inspired Table: A Fusion of Craft, Technology, and Sculptural Design Parti’s latest table isn’t merely a functional object—it’s a daring exploration of how the transient beauty of billowing fabric can be immortalized in solid wood, forging a bridge between art, master craftsmanship, and cutting-edge technology. Translating the delicate folds, twists, and cascades of cloth into the rigid forms of furniture is a feat that demands the precision of sculptors and the expertise of elite artisans—a challenge rarely undertaken in the realm of furniture design. To bring this vision to life, Parti partnered with Jan Hendzel Studio, launching into a relentless experiment to redefine the capabilities of a three-axis CNC machine. While complex, organic shapes like these might typically rely on more advanced multi-axis systems, the collaboration pushed the limits of this technology: they programmed the CNC to carve American maple with surgical precision, chiseling the wood to mimic fabric’s fluid drape. Each curve, indentation, and undulation is crafted to echo how cloth falls, ripples, and gathers—transforming sturdy maple into a material that seems to sway with invisible breezes. The result is a table that defies expectations. American maple, selected for its fine grain and ability to retain crisp details, takes on a startling new identity: its surface, once defined by straight grain, now ripples with simulated “movement” reminiscent of fabric. Sharp edges soften into gentle undulations, and flat planes give way to contours that invite touch, as if the wood still holds the memory of being pliable cloth. This project transcends furniture design—it’s a statement on the future of creation, where age-old craft traditions (the art of sculpting, the intuition of working with fabric) collide with digital innovation. In Parti and Jan Hendzel Studio’s hands, the three-axis CNC becomes more than a tool; it’s a creative partner, proving that even “simpler” technology can birth works that blur the line between functional design and sculptural art.









