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Minotti Libra armchair D-2519
Living room

Minotti Libra armchair D-2519

Inspired by 1970s aesthetics, the Libra armchair designed by Giampiero Tagliaferri is composed of overlapping soft volumes of the seat, backrest, and headrest, upholstered in leather or fabric, embellished with precise stitching at the centre of the cushions that amplifies the tailored and three-dimensional effect.

An interplay of volumetric balances from which it also takes its name: Libra, in Latin, means scale. The refined curling along the entire perimeter of the padded volumes of the bergère, armchair, ottoman and dining little armchair is finished with a piping, which carefully shapes the soft folds of the upholstery, enhancing its sophisticated artisanal craftsmanship. The unique metal base consists of tubular legs and a curvilinear plate that supports the seat.

  • ITEN NO D-2519
  • SIZE 75*95*94 cm
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product description

Libra Armchair by Giampiero Tagliaferri: 1970s-Inspired Softness & Balanced Craftsmanship Designed by Giampiero Tagliaferri and steeped in 1970s aesthetic charm, the Libra armchair is a love letter to soft volume and intentional balance—each curve and stitch a nod to the era’s penchant for lush, lived-in luxury. It doesn’t just sit in a space; it wraps it in a quiet elegance, born from thoughtful design and artisanal care. At its core, the chair unfolds as a layered composition of soft volumes: the seat, backrest, and headrest overlap like gently nested clouds, upholstered in either supple leather or plush fabric that invites touch. What elevates this form is the precise stitching that accents the center of each cushion—not just a decorative detail, but a deliberate choice that deepens its tailored sophistication and amplifies its three-dimensional presence. The stitches trace the contours of the volume, as if outlining its gentle fullness, turning a simple cushion into a study of texture and shape. True to its name—“Libra,” Latin for “scale”—the chair is a masterclass in volumetric balance. Every element weighs against the next: the softness of the padded sections is grounded by subtle structure, the overlap of volumes feels intentional rather than haphazard, creating a harmony that feels both effortless and engineered. This balance extends to the entire Libra collection—from the bergère and armchair to the ottoman and dining little armchair—each piece unified by a refined curling along the perimeter of its padded volumes, finished with a delicate piping. This piping doesn’t just edge the upholstery; it sculpts its soft folds, pressing gently into the fabric to define its shape, a quiet showcase of the skilled craftsmanship that goes into every piece. Beneath the lush upholstery, the chair’s metal base adds a sleek counterpoint to the softness above. Tubular legs—slim yet sturdy—meet a curvilinear plate that cradles the seat, their clean lines and subtle curve avoiding harshness, instead complementing the chair’s rounded form. It’s a base that feels both modern and timeless, ensuring the Libra armchair doesn’t just honor 1970s style, but fits seamlessly into contemporary spaces too. In the Libra armchair, Tagliaferri hasn’t just designed seating—he’s crafted a piece that balances nostalgia and modernity, softness and structure, making it as much a joy to admire as it is to sink into.